Wednesday, January 26, 2011

AMBARISHA

                         
AMBARISHA
                    
                  In Hindu mythology, Ambarisha was an Ikshvaku king. He was a great devotee of Vishnu and adhered firmly to the truth. He performed a yaga with such great devotional fervour that Lord Narayana was pleased to bless him with Sudarshana Chakra (Sudarshana meaning "good vision") and which manifested as a wheel of prosperity, peace and security to his kingdom.
                              Once, Ambarisha performed the Dvadasi Vratha, which required that the king must start a fast on Ekadashi and break it at the start of Dvadasi and feed all the people. As the moment of breaking the fast was drawing near, the mighty sage Durvasa arrived and was received with all honours by Ambarisha. Durvasa agreed to the king's request to be his honoured guest, and asked the king to wait until he finished his bath in the river and returned. As the auspicious moment approached when the king had to break his fast to fulfil the vow of the vrata, Durvasa did not turn up. On the advice of the sage Vasishta, the king broke his fast by taking a Tulasi leaf with water, and waited for the arrival of sage Durvasa to offer him food.
                                      Durvasa, who was well known for his short temper, felt that Ambarisha had violated the respect due to a guest by breaking his fast before the guest had taken his meal, and in his rage created a demon to kill Ambarisha, out of a strand of his hair. Lord Narayana’s Sudarshana intervened, destroyed the demon and started chasing Durvasa himself. Durvasa went to Brahma and Shiva for protection. Both pleaded their inability to save him. He went to Lord Narayana himself, who said that he could do nothing as he was bound by the blemishless devotion of Ambarisha and suggested to the sage to seek the pardon of the king. Durvasa went to Ambarisha, who prayed to Lord Vishnu to recall the Sudarsana.




                                                                      

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Tuesday, January 18, 2011

PURANAS

                                    

                                  Shiva (pronounced /ˈʃiːvə/; Sanskrit: शिव Śiva, meaning "auspicious one";) is a major Hindu deity, and the Destroyer or transformer of the Trimurti, the Hindu Trinity of the primary aspects of the divine. In the Shaiva tradition of Hinduism, Shiva is seen as the Supreme God. In the Smarta tradition, he is regarded as one of the five primary forms of God.

                                            Followers of Hinduism who focus their worship upon Shiva are called Shaivites or Shaivas (Sanskrit Śaiva). Shaivism, along with Vaiṣṇava traditions that focus on Vishnu and Śākta traditions that focus on the goddess Shakti, is one of the most influential denominations in Hinduism.

                                      Shiva is usually worshipped in the abstract form of Shiva linga. In images, he is generally represented as immersed in deep meditation or dancing the Tandava upon Apasmara Purusha, the demon of ignorance in his manifestation of Nataraja, the lord of the dance. He is also the father of Ganesha, Murugan, and Ayyappa.

                                The Sanskrit word Shiva (Devanagari: शिव, śiva) is an adjective meaning "auspicious, kind, gracious". As a proper name it means "The Auspicious One", used as a name for Rudra. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, meaning "auspicious", is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.
The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism.
                                     Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."
                                 Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā = Great + deva = God), Maheśhvara ("Great Lord"; mahā = Great + īśhvara = Lord), and Parameśhvara ("Supreme Lord").
                           There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.

                 
                    Shiva as we know him today shares many features with the Vedic god Rudra,and both Shiva and Rudra are viewed as the same personality in a number of Hindu traditions. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.
                               The oldest surviving text of Hinduism is the Rig Veda, which is dated to between 1700 and 1100 BCE based on linguistic and philological evidence. A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Maruts", a group of storm gods.Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as a epithet for Indra, Mitra and Agni many times.
                              Rudra is called "The Archer" (Sanskrit: Śarva),and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill", and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("Bowman") and Bāṇahasta ("Archer", literally "Armed with arrows in his hands") also refer to archery.

 



  • Shiva's Form:
Lord Shiva wears a deer in the left upper hand. He has a Trident in the right lower arm. with a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He has fire and Damaru and Malu or a kind of weapon. He wears five serpents as ornaments. He wears a garland of skulls. He is pressing with His feet the demon Muyalaka, a dwarf holding a cobra. He faces south. Panchakshara itself is His body.
  • Third eye: Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to  to ashes, called "Tryambakam" (Sanskrit: त्र्यम्बकम्), which occurs in many scriptural sources. In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers" ]]. These three mother-goddesses who are collectively called the Ambikās. Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā.
    • Crescent moon: Shiva bears on his head the crescent moon. The epithet Chandraśekhara (Sanskrit (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - chandra = "moon", śekhara = "crest, crown")refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva. The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly emplored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon. The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end. Since the Lord is the Eternal Reality, He is beyond time. Thus, the crescent moon is only one of His ornaments.The wearing of the crescent moon in His head indicates that He has controlled the mind perfectly.
      • Ashes: Shiva smears his body with ashes (bhasma). Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy. These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism. One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.
      • Matted hair: Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair", and Kapardin, "endowed with matted hair" or "wearing his hair wound in a braid in a shell-like (kaparda) fashion". A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly. His hair are said to be like molten Gold in color or being yellowish-white.


Friday, January 14, 2011

IMPORTANCE OF SATURDAY

SIGNIFICANCE OF UPAVASAM

SIGNIFICANCE OF UPAVASAM

Thursday, January 6, 2011

MEENAKSHI KALYANAM

VRATHAM

Wednesday, January 5, 2011

YAJNA

                            In Hinduism, Yagya (Sanskrit यज्ञ wikt:yajna; also Anglicized as Yajna, Yadna) is a ritual of sacrifice (Monier-Williams gives the meanings "worship, prayer, praise; offering, oblation, sacrifice") derived from the practice of Vedic times. It is performed to please the gods or to attain certain wishes. An essential element is the sacrificial fire - the divine Agni - into which oblations are poured, as everything that is offered into the fire is believed to reach the gods.
                   A Vedic (shrauta) yagya is typically performed by an adhvaryu priest, with a number of additional priests such as the hotar, udgatar playing a major role, next to their dozen helpers, by reciting or singing Vedic verses. Usually, there will be one or three fires in the centre of the offering ground and items are offered into the fire. Among the items offered as oblations in the yagya include large quantities of ghee, milk, grains, cakes, or soma. The duration of a yagya depends on the type; some can last a few minutes, hours or days and some even last for years, with priests continuously offering to the gods accompanied with sacred verses. Some yagyas are performed privately, others with a large number of people in attendance.
Post-Vedic yagyas, where milk products, fruits, flowers, cloth and money are offered, are called "yaga", homa or havan
                                A typical Hindu marriage is a yagya, because Agni is supposed to be the witness of all marriages. Brahmins and certain other castes receive a yagyopavita "sacred cord" at their upanayana rite of passage. The yagyopavita symbolizes the right of the individual to study the Vedas and to  carry out yagyas or homas.
                                 Temple worship is called agamic, while communication to divinity through Agni, is considered Vedic. Today's temple rites are a combination of both Vedic and Agamic rituals. The sacrificial division of Hindu scripture is the Karma-Kanda portion of the Vedas which describe or discuss most sacrifices. The Nambudiri Brahmins of Kerala are among the most famous Shrauta Brahmins who maintain these ancient rituals.
                           Today, only a few hundred individuals know how to perform these sacrifices and even fewer are able to maintain the sacred fires continuously and perform the shrauta rituals. Only a few thousand perform the Agnihotra or basic Aupasana fire sacrifice daily .

Yagyas in the Vedas


        There are 400 yagyas described in the Vedas. Of these, 21 are theoretically compulsory for the Twice-Born (Dvijas: Brahmin, Ksatriya and Vaisya). They are also called nityakarmas. The rest of the yagyas are optional, which are performed kamyakarma (for particular wishes and benefits). The Aupasana is not part of the above list, but is also compulsory .
                            Out of the 21 nityakarmas, only the Agnihotra and the Aupasana are to be performed twice daily, at dawn and dusk. The remaining ones have certain allotted frequencies over the course of the year. The more complicated the yagya, the less frequently it is performed. The most complex ones need to be performed only once in a lifetime. The first seven yagyas are called pākayagyas "cooked sacrifice", the second seven haviryagyas "oblation, burnt offering", and the third seven are called somayagyas "Soma sacrifice". yagyas such as Putrakameshti (for begetting sons), Ashvamedha (to rule), Rajasuya (royal consecration) etc. are among the 400 which are not compulsory.

Aupasana
This is the basic simple fire sacrifice that is to be performed at home twice daily. The Aupasana agni is lit at the time of the groom's wedding from his father's fire. The aupasana can be performed by all four varnas. It is also compulsory. However, it is not part of the 21 compulsory fire sacrifices, and is to be performed in addition to thoseThis is the basic simple fire sacrifice that is to be performed at home twice daily.

 

The various sacred AgnisA yagya being performed

Hindu tradition has the Pancha Mahayagyas ("Five Great Yajnas", Taittiriya Aranyaka 2.10). These sacrifices are to be performed daily by all "householders" (married couples) daily to best of one's ability:
  • Devayagya- worship of the gods (devas) through the twilight pprayers (sandhya), aupasana, and agnihotra
  • Pitryagya- offering libations to ancestors or pitrs
  • Bhutayagya- offering food ("bali") to animals
  • Manushyayagya- charitable offerings of food to fellow humans
  • Brahmayagya- recitation of a section of one's Veda ("bráhman") in rotation